Image and video credits: Mosa Kaiser, Kate Naluyele, Pura Lavisa, Kabelo Mofokeng, Mia Louw, Sharlene Khan

SPONSORS

Email:

Dr Lynda Spencer: l.spencer@ru.ac.za

Prof Sharlene Khan: sharlene.khan@wits.ac.za

Address:

Departments of Fine Art

Wits University

Johannesburg, South Africa

 

 

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Afems 2018

African Feminisms (Afems) Conference 2018

 

‘The Mute Always Speak’: (Re) imagining and re-imaging feminist futures

 

27-29 September 2018

 

Hosted by Rhodes University Department of Literary Studies in English and Department of Fine Arts

 

Keynote Speakers: Dr Nthabiseng Motsemme, Dr Siphokazi Magadla, Prof Gabeba Baderoon, Ms Shelley Barry

 

 

In her text, ‘The Mute Always Speak: On Women’s Silences at the Truth and Reconciliation Commission’, Nthabiseng Motsemme discusses new understandings of speech acts, not just the orality which dominates discourses, but a range of performances that will make us understand “South African women’s subjectivities and forms of agency”. In particular, she contemplates how silence has been employed for a range of uses against and under apartheid:

 

"Overall, what the article demonstrates is that when we reject dominant western oppositional hierarchies of silence and speech, and instead adopt frameworks where words, silence, dreams, gestures, tears all exist interdependently and within the same interpretive field, we find that the mute always speak" (Motsemme, 2004).

The idea that the mute always speak remains revolutionary. It not only fundamentally undermines the idea that people are voiceless, and like Gayatri Spivak reckons, the problem is rather discourse and whether they can ever have their voices heard unmediated, but that refusing certain speech acts draws attention to those modes and mechanisms of speaking, language and hearing. The refusal to speak tells us that speech acts demand certain conditions, while conditions can also result in the utterable – when horrors, pleasures, life and feelings exceed the limits of the spoken or written word. In her poignant article, ‘Colonialism, Dysfunction and Disjuncture: Sarah Baartman's Resistance (Remix)’ (2003), Yvette Abrahams sees in the sighs and willfulness of Sarah Baartman, and the testimonies of others, a woman who, alone in London with no possibility of return home, still resists attempts at her dehumanization. We have a poetic portrait of Baartman as a woman as Abrahams grafts her personality from the silences, gestures, tears and dreams deferred. Abrahams echoes what Motsemme (2004) says is “the invisible but agentic work of the imagination to reconfigure our social worlds”. Motsemme (2004) argues that the space of imagination-as-generator allows for the “invention of the self [that] can go beyond the limits of available oppressive representations”.

Using Motsemme’s standpoint, Afems 2018 will be a multi-disciplinary platform to hear historical and contemporary mutes speak, questioning language, speech acts, discourse, narratives, contexts, bodies, imaginations and creativities that allow us to hear.

 

This conference aims to bring together a range of local and international African feminist scholars in the Sciences, Social Sciences, Economics, Law and Humanities disciplines in a three-day conference (27-29 September 2018). Registration fee for all participants and attendees is R250. Afems will again feature an array of creativities, including an Art on our Mind public dialogue focusing on the challenges and possibilities for South African women-of-colour visual arts curators; a retrospective of South African filmmaker Ms Shelley Barry, the installation When the moon waxes red by Sharlene Khan and one night of performances by Rhodes students. Please see below for the full conference programme.

 

 

Conference programme

Conference abstracts

 

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